Hiroshi Sugimoto - Theaters (1978-93)

Artist’s statement: 

“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 

Suppose you shoot a whole movie in a single frame? 

And the answer: You get a shining screen. 

Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 

That evening, I developed the film, and the vision exploded behind my eyes.”

shirtlessboys:

Rhiain Bower
vega-ofthe-lyre:

Have the lambs stopped screaming?

vega-ofthe-lyre:

Have the lambs stopped screaming?

snowce:

Dean Cornwell, It’s Hard to Explain Murder, 1920

snowce:

Dean Cornwell, It’s Hard to Explain Murder, 1920

(via clawsandfangs, ledandysme)

Man, this is fucked up. This is so fucked up.

Man, this is fucked up. This is so fucked up.

adocica:

Young couple cuddling as they sit down in a hole in the sand while others lie around behind them on a hot Independence Day at the beach. Photo by Ralph Crane, 1949.

adocica:

Young couple cuddling as they sit down in a hole in the sand while others lie around behind them on a hot Independence Day at the beach. Photo by Ralph Crane, 1949.